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DTSTART:20070101T000000
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DTSTART;TZID=America/New_York:20261024T190000
DTEND;TZID=America/New_York:20261024T210000
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SUMMARY:NEPACMS Presents: Sketches
DESCRIPTION:Joaqu n Turina paints Seville in the loose\, atmospheric strokes of a nocturnal scene rather than a formal argument\, while Johannes Brahms set his C minor quartet aside for twenty years before returning to complete what he'd only sketched in the depths of his devotion to Clara Schumann. Most striking of all\, Alfred Schnittke built an entire companion work from seventeen surviving bars Gustav Mahler left behind as a sixteen year old\, a fragment abandoned and then\, a century later\, finally given its ending.ProgramJoaqu n Turina Quartet in A minor for Piano\, Violin\, Viola\, and Cello\, Op. 67Alfred Schnittke Piano QuartetGustav Mahler Piano Quartet in A minorJohannes Brahms Piano Quartet No. 3 in C minorArtistsJohn Vaida\, violinAmy Iwazumi\, violaBryan Hayslett\, celloBin Yu Sanford\, piano
X-ALT-DESC;FMTTYPE=text/html:<!DOCTYPE html><html><head><title></title></head><body aria-disabled="false"><p><img src="https://res.cloudinary.com/micronetonline/image/upload/v1786631649/tenants/5abec4b5-582b-4db6-8894-9ce92126f19a/220bc4a7e21a46cfa94489fa51c79242/1786631643491.png" width="791" height="416.593" style="position: relative\; max-width: 100%\; cursor: pointer\; padding: 0px 1px\; color: rgb(0\, 0\, 0)\; font-family: Arial\; font-size: medium\; font-style: normal\; font-variant-ligatures: normal\; font-variant-caps: normal\; font-weight: 400\; letter-spacing: normal\; orphans: 2\; text-indent: 0px\; text-transform: none\; widows: 2\; word-spacing: 0px\; -webkit-text-stroke-width: 0px\; white-space: normal\; text-decoration-thickness: initial\; text-decoration-style: initial\; text-decoration-color: initial\; width: 791px\; display: block\; vertical-align: top\; margin: 5px auto\; text-align: center\; height: 416.593px\;" fr-original-style="position: relative\; max-width: 100%\; cursor: pointer\; padding: 0px 1px\; color: rgb(0\, 0\, 0)\; font-family: Arial\; font-size: medium\; font-style: normal\; font-variant-ligatures: normal\; font-variant-caps: normal\; font-weight: 400\; letter-spacing: normal\; orphans: 2\; text-indent: 0px\; text-transform: none\; widows: 2\; word-spacing: 0px\; -webkit-text-stroke-width: 0px\; white-space: normal\; text-decoration-thickness: initial\; text-decoration-style: initial\; text-decoration-color: initial\; width: 791px\; display: block\; vertical-align: top\; margin: 5px auto\; text-align: center\; height: 416.593px\;" fr-original-class="fr-draggable" />&nbsp\;</p><p>Joaqu&iacute\;n Turina paints Seville in the loose\, atmospheric strokes of a nocturnal scene rather than a formal argument\, while Johannes Brahms set his C minor quartet aside for twenty years before returning to complete what he&rsquo\;d only sketched in the depths of his devotion to Clara Schumann. Most striking of all\, Alfred Schnittke built an entire companion work from seventeen surviving bars Gustav Mahler left behind as a sixteen year old\, a fragment abandoned and then\, a century later\, finally given its ending.</p><p>Program</p><p>Joaqu&iacute\;n Turina Quartet in A minor for Piano\, Violin\, Viola\, and Cello\, Op. 67</p><p>Alfred Schnittke Piano Quartet</p><p>Gustav Mahler Piano Quartet in A minor</p><p>Johannes Brahms Piano Quartet No. 3 in C minor</p><p>Artists</p><p>John Vaida\, violin</p><p>Amy Iwazumi\, viola</p><p>Bryan Hayslett\, cello</p><p>Bin Yu Sanford\, piano</p><p><br /></p></body></html>
LOCATION:
UID:e.2685.1607877
SEQUENCE:3
DTSTAMP:20260814T021057Z
URL:https://business.wyomingvalleychamber.org/chambercalendar/Details/nepacms-presents-sketches-1891863?sourceTypeId=Hub
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